Wyn Evans + Reyle

Cerith Wyn Evans' installation 'Astrophotography ... The Traditional Measure of Photographic Speed in Astronomy...' by Siegfried Marx (1987) at Tate Britain, London 2011:

Anselm Reyle's untitled installation from the group exhibition Shape Of Things To Come: New Sculpture at Saatchi Gallery, London 2011:

No Realm Of Thought ... No Field Of Vision

Cerith Wyn Evans from his solo exhibition No Realm Of Thought ... No Field Of Vision at White Cube Bermondsey, London 2020:

Inverse Reverse Perverse

Cerith Wyn Evans' minimalist installation Inverse Reverse Perverse is a large concave mirror that reflects, inverts and distorts the viewer. The ever-changing nature of the reflections suggests the passage of time and the transience of identity.

Wyn Evans at Tate Britain, London 2011:

Wyn Evans' light signals

Just got back to Toronto yesterday, feeling kinda surreal - entering the plane in London, coming out on the other side of the Atlantic.  I've never found enough time to see all things I've wanted to during my art trips.  So I will definitely go back to Europe again.  There will be dOCUMENTA (13) in Kassel Germany next summer - another reason to go.  I have seen much more than I have written here in the past month.  I'll revisit all the other sights and sounds I have experienced in my future posts.

I saw Cerith Wyn Evans' installation 'Astrophotography...The Traditional Measure of Photographic Speed in Astronomy...' by Siegfried Marx (1987) when I visited Tate Britain in March and again two days ago.  Using a chandelier, Wyn Evans translated selected texts into the flashing light signals of Morse code.