Grand Eternity +. 28 Herzen

Alfred Muszynski from the group exhibition Dinner At The Automat currently at InterAccess, Toronto:

A recent (digital) drawing of mine, inspired by a ❤️ from Hamburg:

Stratman + Perich

Deborah Stratman's installation Tactical Uses Of A Belief In The Unseen (2) at Mercer Union, Toronto 2012:

Tristan Perich's Microtonal Wall at InterAccess, Toronto 2012:

Time Tunnel

Philippe Blanchard's dazzling light installation from his solo exhibition Time Tunnel at InterAccess, Toronto 2011:

Janus

Tasman Richardson's installation Janus currently at InterAccess, Toronto:

Hidden Light

From the group exhibition Infinity Of Intimate Space, Ilza Briede (Kavi)'s Hidden Light, a projection on suspended vinyl sheets, currently at InterAccess, Toronto:

A Consequence Of Infinitely Recursive Vision Technologies

Still images of Phillip David Stearns's 2-channel video A Consequence Of Infinitely Recursive Vision Technologies from the exhibition Picks Per Minute currently at InterAccess, Toronto:

Picks Per Minute

Phillip David Stearns and Peter Wilkins from the exhibition Picks Per Minute currently at InterAccess, Toronto ...

Stearns's 2-channel video A Consequence Of Infinitely Recursive Vision Technologies is a tapestry woven with light:

Stearns's diptych Fragmented Memory is digital data translated into textile:

Wilkins's video Subway, Toronto stitches together the pulsating ebbs-and-flows pattern of busy urban commutes:

One Hundred Of The Same Clock + 1000years

We are switching from daylight saving time back to standard time tonight.  So, on the theme of time ...

Ken Nicol's One Hundred Of The Same Clock currently at Olga Korper Gallery, Toronto:

Dragan Espenschied's 1000years at InterAccess, Toronto 2014:

Once Removed

The very interesting exhibition Once Removed currently at Toronto's InterAccess explores the idea of art production, using machines and algorithms, in the absence of an artist.

Brandon A. Dalmer:

Laura Hudspith and Nicholas Zirk:

Kaila_004

"Working with analog NTSC video, VHS, VCRs and cathode ray tube (CRT) televisions have steadily moved my work into the realm of obsolescence.  Equipment can still be purchased second hand, and it can still be repaired, but not for long ...  CRTs glow a certain way; VCRs capture NTSC signal glitches a certain way; VHS tapes reproduce the images encoded on to them in a certain way, and analog video in general looks a certain way.  Creating a portrait in itself is something obsolete ...  It shows someone as they existed in that moment, to be replaced by a new version of themselves.  The subject ages, fashion changes.  They will never exist exactly as they did in that portrait."

From the group exhibition Mean Time To Upgrade, Phil Baljeu's decayed and glitched NTSC video portrait Kaila_004 currently at InterAccess, Toronto:

Baljeu's Kaila Glitch 001 Proc (as Ruin Music):

Video from Ruin Music's youtube channel

Blanchard's Colour Rhythm

Philippe Blanchard's dazzling light installation at Angell Gallery, Toronto 2014:

A video of Blanchard's installation I saw at InterAccess, Toronto 2011:

Video from Philippe Blanchard on vimeo

Beyond A Shadow Of A Form

Layne Hinton's solo exhibition Beyond A Shadow Of A Form at InterAccess, Toronto 2014: