Showing posts with label Michael Snow. Show all posts
Showing posts with label Michael Snow. Show all posts
Tuesday, 4 August 2020
Monday, 3 August 2020
Early Snow
Michael Snow from the survey exhibition Early Snow: Michael Snow 1947-1962 currently at the Art Gallery of Hamilton (AGH):
Labels:
AGH,
Art,
Michael Snow
Monday, 25 February 2019
Leduc vs Snow
At the Art Gallery of Ontario (AGO), Toronto 2017 ...
Fernand Leduc's Pave 13:
Michael Snow's Danger:
Fernand Leduc's Pave 13:
Michael Snow's Danger:
Labels:
AGO,
Art,
Fernand Leduc,
Michael Snow
Tuesday, 21 November 2017
Newfoundlandings
Michael Snow's video installations from his solo exhibition Newfoundlandings at Prefix ICA, Toronto 2017 ...
Condensation (A Cove Story):
Solar Breath (Northern Caryatids):
Condensation (A Cove Story):
Solar Breath (Northern Caryatids):
Labels:
Art,
Michael Snow,
Prefix ICA
Friday, 27 January 2017
Site, 1969 vs 35°9, 32°18
Michael Snow's Site, 1969 currently at Christopher Cutts Gallery, Toronto:
Richard Wentworth's 35°9, 32°18 currently at Tate Britain, London:
Richard Wentworth's 35°9, 32°18 currently at Tate Britain, London:
Thursday, 26 January 2017
Fones vs Snow
Robert Fones from the exhibition Winter White currently at Olga Korper Gallery, Toronto:
Michael Snow from his solo exhibition Powers Of Two currently at Christopher Cutts Gallery, Toronto:
Michael Snow from his solo exhibition Powers Of Two currently at Christopher Cutts Gallery, Toronto:
Wednesday, 25 January 2017
WVLNT
I went to see Michael Snow's 1967 iconic film Wavelength at Toronto's TIFF (Toronto International Film Festival) Lightbox this past weekend. I think I like this 2003 condensed version even better - WVLNT (Wavelength For Those Who Don't Have The Time):
Video from Witold Buckowicz's youtube channel
Labels:
Art,
Michael Snow,
TIFF
Thursday, 28 April 2011
La Région Centrale
I watched Michael Snow's 1971 experimental film La Région Centrale last year. The film was shot in remote and barren northern Quebec using a robotic arm. I love the experimentalism with unconventional camera movement, perfect for a film expressing as its themes the cosmic relationships of space and time. But a full 180 minutes of spatial disorientation was a bit overwhelming for me. Here's a clip of the amazing film:
Video from StrokeHole's youtube channel
Labels:
Art,
Michael Snow
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