Patrick Morrissey's mathematically precise optical reductive works at the Residence Gallery, London 2013:
Saturday, 23 March 2013
Friday, 22 March 2013
The perfect finish
The undulating flow of rhythmic lines on the surface of each of Ben Gooding's minimalist work on metal or perspex is pure machine aesthetic. It is hard to believe that the perfect finish was actually done by hand.
Gooding at the Residence Gallery, London 2013:
Gooding at the Residence Gallery, London 2013:
Labels:
Art,
Ben Gooding,
The Residence Gallery
Thursday, 21 March 2013
Rothschild's Legend
From the same period but much tamer than her Cold Corners I have previously written about, Eva Rothschild at Tate Britain, London 2013:
Labels:
Art,
Eva Rothschild,
Tate Britain
Wednesday, 20 March 2013
Stanley's city of dystopia/utopia
Just got back to Toronto last night ...
A change of scenery now - scenes of Toronto from her Urban Archeology series, Pat Stanley at Edward Day Gallery, Toronto 2013:
A change of scenery now - scenes of Toronto from her Urban Archeology series, Pat Stanley at Edward Day Gallery, Toronto 2013:
Labels:
Art,
Edward Day Gallery,
Pat Stanley
Tuesday, 19 March 2013
Same Old, Same Old
Blue Firth's installation Same Old, Same Old at the Architecture Space of Royal Academy of Arts, London 2013:
Labels:
Art,
Blue Firth,
Royal Academy of Arts
Monday, 18 March 2013
Too Much Night, Again
For her site-specific installation Too Much Night, Again currently on view at South London Gallery, Pae White used black, red, blue and purple yarn to transform the architecture of the exhibition space. The installation, both monumental and fragile at the same time, echoes White's belief in the transience and insignificance of individual existence in the universal scheme of things.
Labels:
Art,
Pae White,
South London Gallery
Sunday, 17 March 2013
Observatory
Since I missed his show in Montreal last year, one of the shows I was very much looking forward to seeing during my London trip this time was Carsten Nicolai's solo exhibition Observatory at Ibid. Exploring different kinds of particle phenomena, from microscopic to macroscopic, Nicolai's minimalist installations are elegant expressions of the aesthetics of physical science.
The installation Particle Noise uses an analog and a digital Geiger counter to capture radioactive particles and magnetic noise. The pure minimalist cosmic sound produced is the most beautiful noise I have ever heard. Too bad I can't show it here :( The installation is aptly complemented by Traces, a series of photographs which document traces of cosmic and terrestrial radiation.
The installation Thermic makes visible the heat wave produced by a metal heating system with a light source throwing shadows of heated air on to a wall behind it. A subtle but clever piece!
The installation Particle Noise uses an analog and a digital Geiger counter to capture radioactive particles and magnetic noise. The pure minimalist cosmic sound produced is the most beautiful noise I have ever heard. Too bad I can't show it here :( The installation is aptly complemented by Traces, a series of photographs which document traces of cosmic and terrestrial radiation.
The installation Thermic makes visible the heat wave produced by a metal heating system with a light source throwing shadows of heated air on to a wall behind it. A subtle but clever piece!
Labels:
Alva Noto,
Art,
Carsten Nicolai,
Ibid.,
Music
Saturday, 16 March 2013
Plaksin's Structure
Russian artist David Plaksin's Architecture series of graphic compositions at his solo exhibition Structure are playful re-interpretations of Russian architecture. Here, images of communist buildings, which are supposedly symbols of authority, are dismantled and have become mere decorative elements like a kaleidoscope. Brilliant idea and execution!
Plaksin at Erarta, London 2013:
Plaksin at Erarta, London 2013:
Labels:
Art,
David Plaksin,
Erarta London
Friday, 15 March 2013
Min's universe of phantasmagoria
A trip to east London never leaves me disappointed. There's always something new, interesting and exciting to discover. Min Jungyeon's paintings and drawings belong to a realm where the real and the surreal co-exist. Solid architectural elements clash with nebulous imaginary forms, just as rational calculations are complemented by irrational intuitions in this post-modern world of plurality.
Min at HADA Contemporary, London 2013:
Min at HADA Contemporary, London 2013:
Labels:
Art,
HADA Contemporary,
Min Jungyeon
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